25話: 從導演分鏡看奧斯卡的一臉陰沉 Fersen’s Return and the Myth of the "Wonderful Person"
奧斯卡聽到小王空降凡爾賽宮之後,一臉陰沉的表情 Oscar's long face upon hearing Fersen parachute-in 1979 年的《凡爾賽玫瑰》動畫是非常寫實的社會批判劇,導演對於貴族社會的批判非常嚴厲,尤其以 25 話為最,一開始安德列的蘋果就被轟個稀爛、中間奧斯卡又被凌遲。 The 1979 anime Lady Oscar is less a romance and more a harsh critique against a failing aristocracy. This is best captured in Episode 25, which opens with Fersen blasting André’s apple, a symbol of his patient love for Oscar, and as the chapter unfolds, we witness Oscar's silent agony as an established "backup" in a love triangle. 第 25 話開篇顯示了 Fersen (菲爾遜/費爾森) 離開十分悠長的時間之後,應該是1786至1787年間,距離大革命已經不遠,但自然的景色恆常不變,同樣的晚霞與河流,如同 F 離開的時候。奧斯卡剛結束射擊練習。18 世紀的火槍很不穩定,在交接槍枝的時候槍口必須朝著地面或是天空以免發生危險,所以安德列從奧斯卡手上接下槍枝的時候,採取了一個低姿態,這象徵了他們地位高低。像這樣高低姿態的畫面在29話,當奧斯卡一副死人臉從馬上俯視安德列、匆匆交代完業務就走的時候會再出現。 Episode 25 opens years after Fersen’s departure, likely between 1786 and 1787. While the French Revolution looms on the horizon, the natural scenery, the unchanging sunset and river, suggests a world frozen in time. The scene begins with Oscar finishi...